Sunday, July 17, 2016

Jack Gladstone - Program Review

We went to a terrific program by Blackfeet musician, song writer, historian and environmentalist, Jack Gladstone, with our great friends and colleagues, Tom and Kathy Spaulding. It was an outstanding program presented by Glacier National Park. As we were leaving and buying Mr. Gladstone's CD "Native Anthropology" I was given strict instruction by the ladies to write a review and made to understand that it was to more than adequately reflect what we had witnessed.

Jack Gladstone - the son of a Blackfeet father and a German mother - is called "Montana's Blackfeet Troubador". The word troubadour actually describes a medieval French poet who composed and sang songs, mostly about courtly love. With this understand I could not call Jack Gladstone a troubadour.

As Jack pointed out, his generation are returning to the reservation, supporting their history and culture in an effort to meet the "challenge, choice and promise of the 21st century." That just happens to be part of the title of his award winning CD, "Native Anthropology".

The music was excellent. Jack is not only an excellent performer, he is an outstanding composer and the man who played mandolin, keyboard and steel guitar was tremendous. Between songs he would tell us the history that prompted each song. He had a great video presentation behind his singing. A great deal of it was the work of Charlie Russell, the famous Montana artist of the early 20th century. His well researched and well documented stories and accounts dealt with the true invasion (colonization) by the white man, the life of Charlie Russell who spent his life painting the west that was being destroyed, the experiences of his parents and grandparents going back well into the 19th century, and the destruction of one of the last vestiges of the magnificent wilderness.

No, I wouldn't call Jack Gladstone a troubadour. I'd call Jack Gladstone a powerful protest singer. With the greatest of skill and gentlest of manner he smacks his audience with the two-by-four of reality.

At the end of the program the applause was what I would call barely adequate in light of the quality and message of the program. I wanted to stand up clap and shout. I wonder whether the others in the audience suffered from one of two scenario: (1) they were expecting a native American acting like the "Indian" of the 1950s - Tonto - and were a bit set back by the truth, or (2) they listened carefully and, realizing the truth of Jack's words, they felt a bit sad and embarrassed at the behavior of white Americans then and now, and their slightly subdued applause was saying, with heads bowed in respect, 'thank you for sharing the truth.' I certainly hope it was the latter.

Thank you, Jack Gladstone. Keep up the good work.